- Volume 76 Issue 302A child comes of age against the violent background of Kenya’s struggle for independence. Kate Molleson Wed 25 Jan 2017 07. Nicholas Rankin. This week Kate Molleson focusses on Northern Ireland. 24 EST T his production is a joy to watch: an enchanting, big-hearted, supremely lovable piece of whimsical animation. 50 EDT David McVicar 's 14-year-old take on Puccini's Madama Butterfly has become a Scottish Opera stalwart, the kind of bullet-proof production that any company. She was a classical music critic for the Guardian for seven years and deputy editor of Opera magazine. And we visit the home of the Orchestra of the Age of Enlightenment - a. Abstract. Kate Molleson travels to Jerusalem to meet a legend of Ethiopian music, the piano-playing nun, Emahoy Tsegue-Maryam Guebrou. First published in The Herald on 2 October, 2013. Interview: Mark-Anthony Turnage on Greek. Kate Molleson revels in the spry and subtly surprising music of Germaine Tailleferre, with guests Barbara Kelly and Caroline Potter. Faber, 2022, 314 pp. First published in The Herald on 28 May, 2014. Review: Christophe Rousset. Be ready to look up a lot of very interesting recordings. Sound Within Sound is a brave, brilliant and rollicking reappraisal of classical music, focusing on ten. Kate Molleson is a journalist and broadcaster, and one of the UK's leading commentators on contemporary classical music. ‘Wild-Card Thursdays’ will see string students turn up once a. Schedule. Composer of the Week. Mermaids and mermen — let’s call them merfolk — live for approximately 300 years, after which they turn into sea foam. Having grown up. Terrible. A writer for The. 4. Show more. THE dawn of a new era for the Royal Scottish National Orchestra, with fresh management on the way (yet to be appointed). Here is a quick description and cover image of book Sound Within Sound: Radical Composers of the Twentieth Century written by Kate Molleson which was published in 2022-7-7. ” He’s looking sheepish, like he’s just acknowledged a big guilty secret. Age recommendation. John McCabe: Piano Music John McCabe (Naxos) John McCabe was a musician of steely, graceful intellect. Abel talks about the "swirling cultures" from which he takes his inspiration, whether it's the different church traditions in South A…A flavour of Tectonics, with Kate Molleson. Kate Molleson meets Finnish composer Kaija Saariaho in Paris, the city she has made her home since 1982. Kate Molleson is a journalist and broadcaster and one of the UK's leading commentators on contemporary. Back then he was a shy teenager from a little village called Beeswing in rural Kirkcudbrightshire; his father. Composer of the week, presented by Donald Macleod and Kate Molleson is on Radio 3 12-1pm Monday to Friday and on BBC Sounds. ” He started playing the piano, which he calls his “grief balm”, he. As part of Radio 3's New Year New Music, Kate Molleson talks at length to one of. . By Kate Molleson. "Sound Within Sound: Opening our Ears to the 20th century" is out in. 03 EDT W hen friends who aren't used to live classical music come with me to concerts, they often ask if they need to behave in a particular way. She has presented documentaries for. This survey of ten composers, all basically at one or another extreme of twentieth century music composition, is highly readable. Emahoy Tsegue-Maryam Guebrou is a 90-year-old Ethiopian nun whose piano music is like none other: bluesy, spiritual and spacious, it’s music rooted in the unique traditions of Addis Ababa yet also timeless and placeless. September 2019. Her work is known for frequently utilising the process of transcription of a variety of pre-existing pieces of music. She lights up when she describes music that has the brutal physicality and. According to the country’s state-run news outlet Fana Broadcasting Corporate, she died in. First published in The Herald on 12 February, 2014. At the age of seven, she became enthralled by a banjo-harp duo she saw busking at a market. Find out more about the venue. Home. Next on. Faber will publish the as yet untitled work by Kate Molleson in Spring 2022. Kaija Saariaho. Béla Bartók's The Miraculous Mandarin in Building a Library with Kate Molleson and Andrew McGregor. . Innovators widening our musical horizons. Emahoy Tsegué Maryam Guèbrou, aged 23. We use. There are no concerns at all about your wonderfully clear presenting style. Kate Molleson chooses her favourite recording of Bartók's The Miraculous Mandarin. Post navigationHe wants to launch orchestral music for the digital age, and sees an incorporation of electronic sounds, samples, field recordings and techno-inspired drum beats as a natural evolution, “like valves in brass instruments once were. 99. He published a magazine called The Faithful Music Master — first ever music journal in Germany — and kept subscribers hooked by. A writer for The Guardian and The. Macleod has been the voice of Composer of the Week since 1999, introducing approximately 950 series, exploring the minds behind the music. The minute your confidence goes, everything else starts to fall apart too. Kate Molleson. £25 £21. Stravinsky the shapeshifter. By genre: Music > Classical. Kate Molleson. Faber acquires new landmark alternative history of twentieth-century music by Kate Molleson. History is full of the times we got it wrong. He's the voice of Radio 3's The Listening Service and frequently presents the new music show Hear and Now, the BBC Proms. She presents BBC Radio 3's New Music Show and Music Matters, and her articles are published in the Guardian, The Herald, BBC Music Magazine, Opera, Gramophone and elsewhere. What to do with Bluebeard’s Castle? Bartok’s single-act opera is so devastatingly complete, so ravaging in musical and emotional impact that it needs nothing more or less. 99 £9. This entry was posted in Features on April 11, 2017 by Kate Molleson. The 46-year-old American made his concerto debut with the Philadelphia Orchestra at the age of 14 and has been a fixture in the international spotlight ever since. Her new book demonstrates that she is equally at ease with the written word. I f you don’t know the deft and gossamer music of Bryn Harrison, this album would be a beautiful place to start. August 18, 2022 11:37pm Kate Molleson presents classical music on BBC Radio 3 Kate Molleson/Twitter Quotas should be introduced to broaden the range of. 15 EDT Last modified on Fri 13 Sep 2019 07. You can read this before Sound Within Sound: Radical Composers of the. £18. These stories could get easily bogged down in musical jargon, but Molleson’s enthusiastic style and eye for character and place give them life. Kate Molleson, Sound within Sound: Opening Our Ears to the Twentieth Century. was socially prominent as well. He once noted, on a flight from New Zealand to the Philippines, that the particular recording of a Chopin. Dove, one of Britain’s most compelling, accessible, prolific and socially engaged opera composers, is turning 60. At age 6, Sister Guèbrou was sent to a boarding school in. 12:00. ISBN: 9780571363223. A radical new book by journalist, critic and BBC Radio 3 broadcaster Kate Molleson, which fundamentally changes the way we think about classical music and the musicians who made it on a global scale. 50 avg rating, 10 ratin. In an exclusive extract from her new book Sound Within Sound, Kate Molleson explores the complicated cultural legacy of Filipino composer José Maceda. Their iconic sound – sparse and mystical. First published in The Herald on 25 February, 2015. Sound Within Sound: Opening Our Ears to the Twentieth Century English | 2022 | ASIN: B0B8JX5HR5 | MP3@64 kbps | 10h 24m | 286 MB. Kuniko (Linn) Whether architects like it or not, buildings will be scruffed up by the humans who use them,. , 2010) dentition. Thu 11 Feb 2016 13. The latest tweets from @KateMollesonKate Molleson is a journalist and broadcaster and one of the UK’s leading commentators on contemporary classical music. She was a classical music critic for the Guardian for seven. 'Wonderful . 2013 by Kate Molleson. It’s that time. Review: Tectonics 2016. A radical new book by journalist, critic and BBC Radio 3 broadcaster Kate Molleson, which fundamentally changes the way we think about classical music and the musicians who made it on a global scale. Listen now. She presents BBC Radio 3’s New Music Show and Music Matters , and her articles have been published in the Guardian , New Statesman , Prospect , the Herald , BBC Music Magazine and elsewhere. 29 EDT Last modified on Thu 26 Mar 2020 08. Schumann, Dvorak & the art of subtle anomaly. 30 EDT Last modified on Mon 3 Dec 2018 10. First published on the Guardian on 29 August, 2013. ” This entry was posted in Features on November 24, 2018 by Kate Molleson. First published in The Big Issue, 10-16 March, 2014. 45 EST Last modified on Tue 18 Apr 2017 11. First published in The Herald on 23 August, 2017. “In some ways I feel like I haven’t been away, but on the other hand I had an incredibly enriching life while I was gone. Somehow he’s always been a more rounded, more grounded kind of touring virtuoso than many, though. She presents BBC Radio 3’s New Music Show and Music Matters , and her articles have been published in the Guardian , New Statesman , Prospect , The Herald , BBC Music Magazine and elsewhere. In general, though, Mathieson says she feels “incredibly lucky to be living in an age when people are interested in perceived feminine qualities in leaders, whether men or women. She presents BBC Radio 3's New Music Show and Music Matters, and her articles are published in the Guardian, The Herald, BBC Music Magazine, Opera, Gramophone and elsewhere. Classical music flourished, and yet when we reflect on the genre’s history its central figures seem to share. [Hyperion CDA68031/2]. She presents BBC Radio 3’s New Music Show and Music Matters. Join Facebook to connect with Kate Molleson and others you may know. Listen now. A radical and compelling new history of 20th century composers, shining light on the sonic pioneers whose work transformed musical history. Donizetti’s Scottish opera recorded at Munich’s Philharmonie Gasteig with tenor Joseph Calleja as Edgardo and baritone Ludovic Tézier as Enrico. It’s standard etiquette to say that someone doesn’t look a. She studied performance in Montreal and musicology in London, where she specialised in 1930s experimental radio. Kate Molleson is a BBC Radio 3 broadcaster and journalist who has taught music journalism at Darmstadt and Dartington. 4:49 PM · Apr 22, 2023. 'Wonderful . Reviewed in short: New books from Jonathan Freedland, Kate Molleson, Linda Villarosa and Benjamin Wood. Kate Molleson is a journalist and broadcaster. Two very different 20th-century violin concertos. 99. An alternative history of 20th-century composers—nearly all of them women or composers of color—by a leading international music critic Think of a composer right now. 05 EST. Review: L’amico Fritz. This is a book of discovery that speaks of music as a life force, that urges. Photograph: Kate Molleson Music Emahoy Tsegué-Maryam Guèbrou: the Ethiopian nun who was one of. Raised and educated in Cornwall, he started his career at BBC Radio Devon, as a reporter and presenter, at the age of nineteen hosting the station's major news programming, and soon after becoming. Soprano Isobel Buchanan is wagging a finger at me intently from across the kitchen table. ). Time: 5. Jun 24, 2018, 1:30 AM [ 5] Citation Link linkedin. Her documentaries (BBC Radio 4, BBC World Service) have investigated music in Greenland, opera in Mongolia, lost recordings of Arabic classical music and the Ethiopian nun/pianist/composer Emahoy Tsegué-Maryam Guèbrou. Imagine the most severe voices in folk music pitched against lush, boozy, crushingly tender instrumentals. She has worked a multitude of positions in these fields, and has been able to build her experience globally while working in a large. 2015 by Kate Molleson. Faber, 2022, 314 pp. Winners will be announced during a ceremony at Drygate in Glasgow. Kate Molleson tells. Kate Molleson: Rewriting the Musical Canon. 26 Jan 2023. Emahoy Tsegué-Maryam Guèbrou, an Ethiopian nun, composer and pianist, has died at the age of 99. Her documentaries (BBC Radio 4, BBC World Service) include a portrait of Ethiopian pianist/composer Emahoy Tsegué-Maryam. It was composed in 1853 but deemed so weird at the time that it wasn’t performed until 1937 when it was hijacked for Nazi propaganda. On air was “The Bee-Sting”, an unpublished song byStockhausen, who died in 2007, was arguably the last towering artist-legend in classical music, and he sent the tradition out in style. The Hilliard Ensemble turn 40 this year, and also hang up their boots. 15 - 6. This week Kate Molleson focusses on Northern Ireland. The second contains Mahler’s Ninth Symphony; the first features one of Bernstein’s best works, his Second Symphony, ‘The Age of Anxiety’, based on W. For ages 16+ Dates & times. Puerto Rican astrophysicist Wanda Diaz-Merced is revolutionising space science through sound, enabling exploration of the cosmos by ear. She first broadcast on Radio 3 as a panellist on the short. To find out, Kate Molleson travelled 1,000 miles across the country to meet latest star Ariunbaatar Ganbaatar, drinking mare’s milk, sleeping in yurts and recording its vocal masters Kate MollesonBrief Summary of Book: Sound Within Sound: Radical Composers of the Twentieth Century by Kate Molleson. The first striking detail about James MacMillan’s new piano concerto is its name: The Mysteries of Light. This entry was posted in Features on March 14, 2017 by Kate Molleson. From 2010-2017 she was a music. Kate Molleson tells. The Blind Astronomer. “Suffering grief at that age, and something about classical music gets right deep and down, and I guess I fast-tracked the deep and down side of my soul through what happened. 99. The orchestra had already given the first and second performances of Suckling’s shimmering storm, rose, tiger; in February they premiere a major new commission called Six Speechless Songs to. August 18, 2022 11:37pm. Available now. First published in the Guardian on 4 May, 2015. Part one: November - December 2018 (1918-36) Part two: February - March 2019 (1936-53) Part three: April - May 2019 (1953-71) Part four: June - July. 🧐 😀. Kate Molleson. “Emahoy brought a beautiful new sound into the world that is rooted both in the Western classical music heritage and in the Ethiopian musical. As a kid he played trumpet in a local jazz band and started composing semi-formally around the age of 15; eventually he studied music in Boston where he met Schoenberg (whose music he did not like) and joined the communist party. Date: Thursday 9 March 2023. 44. This is a book of discovery that speaks of music as a life force, that urges us to live. Kate Molleson and Kevin Le Gendre explore the lives and music of revolutionary jazz power couple John and Alice Coltrane. Show more As Mental Health Awareness Week draws to a close, Kate Molleson surveys the musical world's. 99. This is the impassioned and exhilarating story of the composers who dared to challenge the conventional world of classical music in the twentieth century. First published in the Guardian on 23 April, 2015. Was it a white man? Perhaps in old-fashioned clothing and wild hair? The music history we're told. Danielle de Niese is doing at least five things at once. Sound Within Sound: Opening Our Ears to the Twentieth Century 05-Jul-2022. Introduced by Kate Molleson live from the Royal Albert Hall, Glyndebourne Festival Opera presents the opera for the first time with its original score and French libretto. Kate Molleson is a journalist and broadcaster and one of the UK’s leading commentators on contemporary classical music. 1. In this increasingly fragmentary age, this pooling of embassies sends a strong message of political coordination, similar to the message of cultural cooperation incorporated in the Nordic Music Days. She presents BBC Radio 3's New Music Show and Music Matters, and her articles are published in the Guardian, The Herald, BBC Music Magazine, Opera, Gramophone and elsewhere. I meet the dancer, choreographer and former artistic director of Scottish Ballet not at the dance company’s Southside HQ but across the river at the rehearsal studios of Scottish Opera, where he’s. First published in the Guardian on 9 May, 2016. In the Tectonics mix: Christian Wolff: Burdocks, with Martin Arnold. Show more. Find Charles Molleson's 🔍 contact information, 📞 phone numbers, 🏠 home addresses, age, background check, white pages, photos and videos, social media profiles, arrest records, resumes and CV, public records, related names, places of employment, work history and memorialsComposer of the Week is to be shared between the Venerable Donald Macleod, approaching 65, and Kate Molleson (age unverifiable - see, we can all do transparency). For ages 16+ Dates & times. First published in The Big Issue, 18-25 May, 2014. Sara presents The Choir, live concerts, and also appears on Music Matters and Hear. Giant of modernism, towering figure of contemporary classical music, Carter was an American who embodied the European avant-garde, an intellectual who – boldly, prolifically and. 32 avg rating, 62 ratings, 9 reviews, published 2022), Sound Within Sound (4. She presents BBC Radio 3’s New Music Show and Music Matters. Take the Dublin four-piece Lynched: beatnik,. Get Sean Molleson's 🔍 contact information, 📞 phone numbers, 🏠 home addresses, age, background check, white pages, social media profiles, resumes and CV, photos and videos, skilled experts, public records, arrest records, places of. Thu 22 Jun 2017 13. One has missed the broadcast. Read 9 reviews from the world’s largest community for readers. The latest in new music. <br /> <br /> The twentieth century was the century of modernity. Interview: David Watkin. He himself fostered a personality cult that went way beyond the music to encompass fashion, spirituality, even a galactic origin story. Kate Molleson travels to Cairo to discover a lost aural music tradition of microtonal finesse, potently emotional voices and spectacularly skilful instrumentalists. Similar to Diana, Catherine is known for her warmth and. Who can say for sure. Kate Molleson travels to Jerusalem to meet a legend of Ethiopian music, the piano-playing nun, Emahoy Tsegue-Maryam Guebrou. The international sweep of her book is especially compelling when she is travelling: when she is in “dusty, nervy, loud” Jerusalem to meet the 93-year-old bed-bound Ethiopian pianist and former. I t’s hard to imagine the Cologne contemporary music collective Ensemble Musikfabrik deliberately timing a. T here is real heritage here: formed in Moscow in 1945, the original Borodins learned Shostakovich’s quartets. First published in The Herald on 8 April, 2015. The World's Largest Island. 2018 by Kate Molleson. 36 EST. Kate Molleson has written a fine obituary of Helen Macleod, 'one of Scotland’s finest harp players', who was killed on the roads at a terribly young age. Genre: Biography + Autobiography. Last year the Scottish Chamber Orchestra announced that 32-year-old Martin Suckling is to be their new Associate Composer. The station presents the Top 100 pieces from the century throughout the course of the year which will be led by presenters Kate Molleson, Kate Romano and Gillian Moore. M aybe it’s perverse to pair Ilan Volkov with a totem of the Romantic canon such as Tchaikovsky’s Manfred. T here were bouquets and balloons for the Scottish Chamber Orchestra's 40th birthday; a packed house, a warm home crowd and a rare. Their new album is called In Each and Every One and it’s a dazzling listen. Kate Molleson Wednesday, March 6, 2019 When it comes to the music of this admired Scottish composer, it’s all about the drama below the surface, writes Kate Molleson. SOUND WITHIN SOUND. 21 EDT. Quotas should be introduced to broaden the range of classical music composers featured in. Brad Mehldau, François-Xavier Roth. who has died at the age of 99, seemed to reflect every area of her extraordinary life. First published in The Herald on 2 October, 2013. Explore more on these topics Classical musicKate Molleson with the stories that matter, the people that matter, the music that matters. Show more. I can’t stop playing the last movement of this recording. 26 EST. 3/5 - Summer Series - Anastasia Kobekina, Alessandro Fisher, Alexander Gadjiev, Rob Luft. A radical new book by journalist, critic and BBC Radio 3 broadcaster Kate Molleson, which fundamentally changes the way we think about classical music and the musicians who made it on a global scale. When Radio 3 presenter and critic Kate Molleson was a child, she would take her Fisher-Price tape machine to bed, clutching it like a cuddly toy, falling asleep to Monteverdi madrigals. The Shetland folk musician is arguing the case for a rougher kind of energy: “you should be firing out the lines at this point,” he urges a quintet of opera singers, who seem more immediately. Born in 1923, she. 3, Sz. The superb English soprano Kate Royal makes her role debut as the Marschallin and Glyndebourne’s new music director Robin Ticciati conducts the London Philharmonic Orchestra – he should draw the elegant, heartfelt best out of them. Jun 24, 2018, 1:30 AM [ 5] Citation Link linkedin. Kate Molleson presents a live edition of Music Matters from London's Broadcasting House. 99. Between the capital of Nuuk and smaller fishing town of Maniitsoq. Kate Molleson presents classical music on BBC Radio 3 Kate Molleson/Twitter. Kate Molleson, Sound within Sound: Opening Our Ears to the Twentieth Century. ”. Despite these setbacks, she continued to compose and would teach music almost to the very end of her life. Photograph: Kate Molleson. Interview: Richard Goode. Tom “Waffles” Service continues to live down to his sobriquet and Kate Molleson appears to speak through a bowl of porridge. Kate Molleson is a journalist and broadcaster. St John Passion Les Musiciens du Louvre/Minkowski (Erato) Conductor Marc Minkowski describes Bach’s John Passion as “the most violent, vivid and dramatic score” of the early 18th century, so it’s not surprising that violence and drama is what we get from his excellent Grenoble-based period band. This entry was posted in Live Reviews on August 15, 2015 by Kate Molleson. ' COSEY FANNI TUTTI By genre: Music > Classical. Escaping the news on the Today programme recently, like many others, I switched over to Radio 3. Show more Kate. It’s standard etiquette to say that someone doesn’t look a certain age but he genuinely appears decades younger. He lives in Edinburgh. “I try not to anthropomorphise any animal that I record. First published in the Guardian on 29 May, 2015 “At some point,” says Martin Green, accordionist and one third of the folk trio Lau, “we should maybe record some actual traditional music. May 16, 2023 | News | 5 comments. 59 mins; 05 Sep 2022; Franz Schubert (1797-1828). Mascagni’s first opera was the mega hit Cavalleria Rusticana and he spent the rest of his life trying to live up to it. First published in the Guardian on 17 April, 2017. Available. Be ready to look up a lot of very interesting recordings. SOUND WITHIN SOUND by Kate Molleson - ISBN 10: 0571363237 - ISBN 13: 9780571363230 - Faber Faber - 2023 - SoftcoverKate Molleson. We would like to show you a description here but the site won’t allow us. 'Wonderful . Photograph: Kate Molleson. View Kate Molleson. In an age of overstretched arts funding, when it is increasingly difficult for small, non-mainstream venues to stay afloat amid commercial heavyweights, Dear Green Sounds is a testament to what a diversity of live arts does for the wellbeing of any city. ”. 45pm. Mostly the discussion covered the standard debates — was Eliot a snob for using so many obscure references?"A radical new book by journalist, critic and BBC Radio 3 broadcaster Kate Molleson, which fundamentally changes the way we think about classical music and the musicians who made it on a global scale. 99. Kate Molleson is a Radio 3 presenter and music journalist. Kate Molleson, Sound within Sound: Opening Our Ears to the Twentieth Century. A magnetic teacher with major institutional clout to play with – king heavyweight at the heaviest-weight new music school in post-war Europe. Our Classical Century. She currently presents BBC Radio 3’s New Music Show and Music Matters. Abel talks. Mermaids and mermen — let’s call them merfolk — live for approximately 300 years, after which they turn into sea foam. Understandable as English National Opera’s need is to cut costs, to cancel their first project outside London in 15 years is the wrong way to save money. On 9 September 1513, the armies of Scotland and England fought at Flodden Field in Northumberland and between them racked up the heaviest single-battle deathtoll of British troops until the Somme. Event details. Interview: Fred Frith. A radical new book by journalist, critic and BBC Radio 3 broadcaster Kate Molleson, which fundamentally changes the way we think about classical music and the musicians who made it on a global scale. Kate Molleson is a journalist and broadcaster and one of the UK’s leading commentators on contemporary classical music. Beethoven: Quartets, volume 3 Elias Quartet (Wigmore Hall Live) In 2015 the Elias Quartet (sisters Sara and Marie Bitlloch plus violinist Donald Grant and violist Martin Saving) ended several years of intense Beethoven immersion by recording the complete quartet cycle live at the. She currently presents BBC Radio 3’s New Music Show and Music Matters. Review: The Eighth Door / Bluebeard’s Castle. £18. This entry was posted in Features on August 26, 2015 by Kate Molleson. First published in the Guardian on 8 July, 2014. 30 minutes. Retaining the same timeslot on Saturday evenings, New Music Show will feature a regular new presenting line-up of Tom Service and Kate Molleson. First published in the Guardian on 30 March, 2017. She has presented documentaries for. CD review: Thomas Zehetmair’s Schumann. Talk in the cafes was gloomy: Canada had shuffled to the right, boosting Stephen Harper’s Conservative government from minority to forcible majority and leaving the French-speaking, left-leaning province of Quebec yet again at political odds. She began studying the sitar with her father at the age of seven; in terms of musical lineage, it doesn’t get much more direct. Show more. Kate Molleson travels to Cairo to discover a lost aural music tradition of microtonal finesse, potently emotional voices and spectacularly skilful instrumentalists. ”. Classical music; Radio 3; BBC; Kate Molleson with the stories that matter, the people that matter, the music that matters. “At the beginning, the ondes had a lot of religious repertoire,” Forget explains. Post navigationKate Molleson presents the world premiere of Silicon by Robert Laidlow. This survey of ten composers, all basically at one or another extreme of twentieth century music composition, is highly readable. Kate Molleson is a fine communicator with an excellent appetite for detail. August 18, 2022 11:37pm. First published in The Herald on 13 June, 2018; photo of Kate MccGwire's Sasse/Sluice at Snape Thea Musgrave — Scottish composer, conductor, pianist and teacher who turned 90 last month — thrusts a glass of wine into my hand. THE dawn of a new era for the Royal Scottish National Orchestra, with fresh management on the way (yet to be appointed) and a promising reshuffle. Her book is a study of ten composers she admires but who she feels have been left out of official. Chris Stout is hunched over a vocal score, fiddle set down beside him on the lid of a Steinway grand. The World's Largest Island. Date: Thursday 9 March 2023. Approximate run time: 1 hour 30 mins. A radical new book by journalist, critic and BBC Radio 3 broadcaster Kate Molleson, which fundamentally changes the way we think about classical music and the musicians who made it on a global scale. For her debut on the programme, Kate. 76 ratings10 reviews. ”. The twentieth century was the century of modernity. Music. Kate Molleson. Latest articles. All Articles. Notable episodes. . As a Kenyan in the world of composition, part of my musical journey has involved discovering other African classical composers that came before me and who have paved the way for the many others after…We would like to show you a description here but the site won’t allow us. 19 EST. Kate Molleson begins Sound within Sound: Opening Our Ears to the Twentieth Century with a loud call for change. Kate Molleson is a BBC Radio 3 broadcaster and journalist who has taught music journalism at Darmstadt and Dartington. Her articles are published in the Guardian, The Herald, BBC Music Magazine, Opera, Gramophone and elsewhere. By the time she was in her late teens. Her documentaries (BBC Radio 4, BBC World Service) have investigated music in Greenland, opera in Mongolia, lost recordings of Arabic classical music and the Ethiopian nun/pianist/composer Emahoy Tsegué-Maryam.